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From Issue #6, Fall 2004

RT for Seasoned Citizens
Making Reader's Theatre Work
by Gordon Bigalke

With this article we come full circle. If you look back over the whole series you have a rather complete outline of how to setup a Reader's Theatre program in your community.

White the program we have is a "Senior Reader's Theatre" it can be adapted to any niche you find a need for. Our founder, Dorothy Arnett, chose Senior Theatre because she felt it filled a special need on two levels she was particularly interested in.

(I) Each community has a real need for entertainment that can travel to where the people are. It has to be flexible and adaptable to a variety of needs and - - it has to be of a quality that is recognized by everyone as "good."

(II) There are many talented individuals in every community that need an outlet for those talents. This last applies especially to seniors. There are few parts for seniors. They have a somewhat more difficult time memorizing their lines (sorry, that's a fact!) but their interpretative skills are still keen.

A Reader's Theatre troupe can be spectacularly successful in your community, as it has in ours, if you are willing to do a little hard work and follow some fairly easy rules.

(1) Scout your local community theatre, friends and senior's organizations and enlist them in gathering a pool of committed talent.

(2) Collect a library of scripts that are entertaining and --importantly - royalty free. Look on the Internet, at your library, school libraries and even write them yourselves. It's easier than you think. Stick with those that are humorous to start and it will guarantee your success.

(3) Set up regular rehearsals and stick to it until you feel you are ready to perform - not flawlessly, but with enough polish to be acceptable at a critical level.

(4) We suggest that you do not charge for your performances but accept donations, from all who wish to support your group.

It has been my good fortune to be a member of a very
successful group as I have just described. Through the Internet and at several theatre conferences we have been able to help other communities establish programs of their own and we offer the same to you.

Most groups when they contact us have a interested core of performers but are looking for material. If there is an ongoing need I would like to continue these articles with a series of critiques of materials that are available and where to obtain them. Let us know what you need and we will try to provide it. You can contact us either through Readers Theatre Digest or at www.baycityplayers.com .

gb

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